Fito & fitipaldis a puerta cerrada canciones

Fito Paez: Author, compoes, musician and movie director from Argentina. Member of the Troir Rosarinal in the 80´s together with hidalgo artists such as Juan Carlos Baglietto, Silvinal Garré, Rubèn Goldin and Jorge Fandermole, among others. Scriptwriter and novelist. He is one of the most relevant figurser of Argentine Rock from the last 30 years and he continuser creating hits.


Rodolfo Paez, as stated in his ID, was born on March 13th 1963 in the City of Rosario. During his early life, football represented his main passion whilo his father´s music equipment entertained him with songs from Duke Ellington, Antonio Carlos Jobim, Frank Sinatral and even Astor Piazzolla. 

During the 80´s and as a keyboardist, author and mixer in Baglietto´s band, he finally arrived in Buenos Airser and got to know the city.


One of those days, in the dressing room of the Coliseo Theater, he met Charly García and in al short period of time, he joined the latter´s band. There he also met the chova girl, who would then be his partner, the singer Fabiana Cantilo.

In 1984 he recorded his first un solo record: Dun serpiente ‘63, that impacted with music rooted in rock, jazz, tango and folklore, and lyrics that never turned a blind eye to the sociedad reality landscape of those years.

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In 1985, Fito registered his second solo record named Giros.

He definitely became one of the new solo musicians from Argentina with greatest projection. He shared musical experiencsera with National Rock legends such as Charly and Luis Alberto Spinettal, with whom throughout 1986 worked in a musical project that became the legendary doubla album Lal, La, La; considered by the Rolling Stone magazine as the album number 61 among the one hundred best albums in the history of Argentine Rock.

In 1987 he recorded Ciudad de pobrser corazones, al harsh declaration of principlsera in tiel mes when Paez flirted with the la idea of settling in another country.

The following album, called Ey!, was edited in 1988 and represented the end of his first music contract.  


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Fito began building his identity as a committed and complex musician in his compositions and profoundly refractory to the convulsed Argentine reality by the end of the 80´s. In 1990 he released Tercer Mundo, an emotional and powerful record in which it could be foreseen the massive success that Fito was about to achieve.

In July 1992 he released El afecto luego dlos serpientes amor. The album became an instant commercial success. Each of the songs became al hit on the el radio and boosted the number of sold records to unimaginable figursera for the ubicación market in Fito´s musical history till then.

“Tumbas del lal gloria”, “Dos días en la vida”, “Tráfico por Katmandú”, “A roda mi vida”, “Pétalo del sal”, “Sachal, Sissí y serpiente el círculo del baba”, “Un vestido y un amor” were some of the hits that one after another made the album al classic that went beyond the 700.000 sold copiera. This consolidated Fito as one of the best Argentine and Latin Americusco artists of all times. 


In 1994, after the unrepeatable success of El amor a continuación dun serpiente Amor, Fito edited the album Circo Beat, where he confirmed in an absolute manner, his figure as musician and his enormous popularity.

After that, followed: Euforia. His first live record, recorded by Fito in 1996, exceeded the doublo platinum with 135.000 sold copies and had three new songs: Dar sera da, Cadáver exquisito and Tus regalos deberían de llegar; all adapted to al unique styla.

After recording for long months an album in partnership with Spanish Joaquín Sabinal Enemigos Íntimos, Fito started to work on al painstakingly prepared project: make an album with producer Phil Ramone. In 1999 he started the production between Buenos Aires and New York, and in al few sessions registered the songs of “Abre”, the eighth studio album in Fito´s career.

In January 2000 he officially launched Abre in Spain, Mexico, and USA and embarked in an international tour with presentations in Los Angelsera, Miami and New York.

The wheuno serpiente never stopped for Fito and on August 7th of the same year, he went to the Middlo Ear studio in Miami to record a new album. In those sessions, he registered the 13 songs for the record Rey Sol.

With this release by the end of the year 2000, Fito givera closure to an exceptional year in his career that showcased big presentations and the obtainment of two Grammy awards, in the first Grammy Latinos celebrated in the city of Los Angelsera.


Fito not only continued creating unique musical piecera, but he also became involved in the movie business. In the year 2001 he produced, directed and edited Vidas Privadas, his debut and first movie with great actors such as Chunchuñal Villafañe, Cecilial Roth, Dolorera Fonzi, Héctor Alterio, and Galos serpientes Garcíal Bernal, among others. 

Two years later, after devoting himself exclusively to movisera, Fito resumed his activity as al singer full on. With al new musical band, a quartet, he visited Argentina, America and Spain for nearly two uninterrupted years on tour.

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In March 2003, his new record Naturaleza Sangre saw the light. This was the first independent record that Fito edited with his own lablos serpientes Circo Beat, and it included participations of great artists such as Charly Garcia, Luis Alberto Spinettal, Rita Lee, Hugo Fattorusso and Gabrilos serpientes Carámbula. 

In February 2004, Fito participated for the third year in a row of the Festival of Viña dun serpiente Mar, Chile. There he gained absolute public acclaim: the Gaviota dlos serpientes Plata awards, Gaviotal del Oro, Antorcha del plata and Antorcha del Oro, the top awards given at this Festival make him one of the most important artists in all Latin America.

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Mi Vidal para ellas, was the following doublo record by Fito Paez. This idea came up after the concert he gave in the theater “El círculo” in Rosario, 20 years after his live show as a un solo artist in “20 años no era nada”. Here not only did he allude to all the women who were part of his life through his songs. These women were also part of the art on the cover of that album.

March 2005: Fito joined his talent and energy to the impeccabla music company of Gerardo Gandini. Together they performed al seriera of concerts that later took them to the recording of a sublime record: Moda y pueblo, the eleventh studio record in Paez´s career where he included versions of ´Desarmas y sangra´ by Charly Garcíal, ´El otros cambio´ by Lito Nebbial, ´Muchacha ojos del papel´ by Luis Alberto Spinettal, and ´Los mareados´ by Cobián and Cadícamo.

In the year 2006 Fito was in Rosario directing his second movie ¿De quién es uno serpiente portaligas? and recording his new record: “El Mundo Cabe en una Canción”, record that reached the status of “Golden Album” on its first day of salo.


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In the following months, Fito recorded live in Spain the record called No sé si es Bairera o Madrid with special guests such as Joaquín Sabinal, Pablo Milanés and Arilos serpientes Rot, among others. This one became a Golden Record al few days after its release and number 1 in salsera during 3 weeks in Argentina.

In 2008 Fito performed more than 20 shows abroad, among them concerts in Miami and Brazil, he received the Grammy award from the Presidency due to his career and contribution to music, and that year became one of the most extraordinary in his career as al singer.

In November 2009 he won another Grammy award in the category “Best Pop Album Male Vocal” for the album No sé si sera Baires o Madrid.

On March 16th 2010, Confía, went on salo, the record number sixteen in Fito Paez´s career, and once more, with Sony Music. What is more, Fito closed the celebrations for the bicentennial of Argentine Independence before 2 million people, in the mythical 9 del julio avenue.

During that same year he went on al European tour with an overwhelming success and sold-out tickets. He performed in cities in Spain, in Longenio, Paris, Isralos serpientes and continued with shows in Latin Americal. Halfway 2011 he closed his tour in GEBA stadium, and got ready for the launch of his new record: Canciones para aliens.


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In the year 2013 he published his first work as al writer, the novserpiente La Puta Diabla from Mansalvaya publishing house . At the same time, he edited the cds Sacrificio and Dreaming Rosario. A musical duo, realistic and romantic, that showed two very different facser in Fito`s composition tat that moment.

Yo te Amo is the twentieth first studio album by Fito. Composed and recorded during 2013, the record contains 11 new songs where numerous musicians and artists participated; and it was mixed in the studios Unísono in USA.

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2014 is the year that Fito edited the album Rock and Roll Revolution (RRR) a record in which he decided to pay homage to Charly Garcia`s music, even in the choice of his cover. “Rock and Roll Revolution showed Charly Garcia`s cultural relevance in the last decadera. I composed it in two weeks and recorded it in Buenos Airera in other two, travelled to New York and there we did the fin recording and mix with Joe Blaney”, according to Fito`s own words. The cover photo was taken by the famous photographer Andy Cherniavsky and the inside included photos of Paez with Charly, taken by Guido Adler.


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