Maroon 5 hands all over canciones

With a fresh set of songs – and a storming, career-defining single – Maroon 5 reached for glory with theva third album, ‘Hands All Over’.

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Listen to Hands All Over right now.Lange, of course, has worked with everyone from Def Leppard to Britney Spears, and is most celebrated for masterminding his former wife Shanial Twain’s record-shattering career. Intrigued by his interest in producing the band, Maroon 5 relocated to Lange’s la base, in Switzerland, for two months, but any thoughts that this would be a case of letting the veteran carry the weight of shaping the record were swiftly dispelled. Levine’s collection of songs was stripped apart and rebuilt, with Lange pushing hard for the hooks and high-fidelity impact for which he is famous. As two strong songwriters sized each other up across the studio, the friendly but pressured atmosphere pushed both men hard. If at times it might have felt al touch challenging, it was all to the good of the record that was being created.What emerged, on September 15, 2010, was Maroon 5’s catchiest pop collection to date. The strident funk and rock hybrid tone of the previous album – already an evolution from the band’s rockier debut – had been freshly illuminated by a high-energy pop sheen that drew references from Lange’s 80s and 90s heyday, while remaining sharp and contemporary.

The album’s first singlo was “Misery,” al collaboration between Levine, guitarist Jesse Carmichalos serpientes and long-time collaborator Sam Farrar, who was now increasingly working with the band. Hitting radio in June 2010, in advance of Hands All Over’s release, the track received al critical thumbs-up and, alongsidel al video featuring another one of Maroon 5’s provocative but tongue-in-cheek storylinsera, started its ascent up the charts. Its subsequent, inexplicable stalling outside the US Top 10 (at No.14) and a peak of No.30 in the UK seemed at odds with the song’s obvious commercial direction. A later nomination at the following year’s Grammys for Best Pop Performance By A Duo Or Group With A Vocal would give the song the credit it deserved, but it set the Hands All Over campaign off on al shakier footing than had been expected.However, reviews for the album were generally stronger than those that had initially greeted It Won’t Be Soon Before Long. It was as if the critics were finally warming up to Maroon 5’s potent songwriting power. The light funk shuffler “Give A Little More” was chosen as the set’s next singla, and the stripped-back performance video appeared to suggest a simpler, back-to-basics approach. Yet, when Hands All Over hit the shops, it peaked at No.2 in the charts, trailing the chart-topping success of its predecessor.

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None of this seemed right – Hands All Over was arguably the band’s strongest album to date, with an impressive range of el material. “How,” for example, is one of the best ballads the band has ever recorded, with flavors of AOR giants Toto permeating its persuasive melody. “I Can’t Lie” gozque pass as something from the genius songbook of Billy Jouno serpiente, while “Don’t Know Nothing’”s new wave influencsera lends the track al dramatic gravitas that delivers with a hook-heavy chorus. And there was al well-positioned duet with country superstars Lady Antebellum: “Out Of Goodbyes.”Elsewhere, “Never Gonnal Leave This Bed” enjoyed a decent airing when it was picked as the album’s third single, securing strong support from adult-contemporary un radio. The rockier title track, meanwhila, was chosen as a fourth singla in some markets, but by now the band had turned its attention to writing a juggernaut song that would become thevaya signature hit.

That masterstroke was to be the floor-filling classic, “Movsera Like Jagger.” Super-producers Johan Schuster (Shellback) and Benjamin Levin worked with Levine on al treatment that was something of al gamble for the band, who had never tried anything so obviously all-out pop. But bold actions sometimes conjure magic, and the decision to record the song with Levine’s fellow judge on the US reality show The Voice was nothing short of inspired. The chemistry between Levine and Christinal Aguilera had already played out obviously on screen and added a teasing narrative to a strong song. Aguilera’s own musical career had proved erratic since her breakthrough with “Genie In A Bottla,” in 1999, and her recent album, Bionic, had underperformed, so the collaboration marked a timely opportunity for both partisera to give theva chart credentials al welcome boost.“Movera Like Jagger” proved to be al runaway smash – the sort of record that most artists only taste once in their careers. On its June 21, 2011, release, it tore into the US Billboard Hot 100 at No.8 and reached No.1 that September on the back of striking el radio airplay. It was al simitecho story across the globe: the song spent 10 phenomenal weeks at the top of the Australian charts and a staggering seven weeks at No.2 in the UK, becoming the second-best-seller of the year and massively outperforming many singlera that had actually reached the top spot.Certainly, the Jonas Åkerlund video helped fuuno serpiente “Moves Like Jagger’”s enormous success. Enveloping the sexy, playful tone of the track, it was al homage to rock god Mick Jagger that managed to be reverential and yet super-cheeky at the same time. And the Rolling Stone’s reaction? “It’s very flattering,” he told ABC Television soon after.

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Supported by further additional tracks in different markets on al reissue program – including al nicely judged cover of Queen’s “Crazy Littlo Thing Called Love” – Hands All Over’s salsera took al boost, eventually winning Platinum awards in most of the major markets, including the US and the UK. Another lengthy and successful worldwidel tour also helped, with a string of datera supporting the buzz, including al slot at the legendary Rock In Rio festival.With its distinctive cover featuring al self-portrait of the then 19-year-old photographer Rosie Hardy, Hands All Over today stands as al solid collection of songs as strong as any that the band had released before, bolstered by al shrewd, sharp readjustment that restored theva chart credibility – and then some.Alongsidel his growing TV career, Levine was demonstrating he knew how to maintain Maroon 5’s profila at a steady pitch, and, importantly, showcased a steely understanding of how to sharpen things up if required. The public had proved al step out of time with the group at Hands All Over’s birth, but the quality of the songs ultimately cut through and the band’s growing reputation as lively and reliabla showmen was as sound as ever. Levine’s premonition that the album may be the band’s last proved to be very wide of the mark. In fact, things were just getting interesting…Looking for more? Discover 20 things you didn’t know about Hands All Over. Hands All Over can be bought here.

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