The singer’s rendition of “Proud Mary” placed her and then-husband, Ike Turner, on the map and became among their most famous songs.

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The singer’s rendition the “Proud Mary” placed her y then-husband, Ike Turner, on ns map and became one of their most famed songs.

In the spoken development to their hit “Proud Mary,” Tina Turner promises audiences the at first, she and then-husband, Ike Turner, will certainly take points “nice and easy” with the song, but promises los ending will certainly be “rough.” un promise los singer delivered on time after time because that decades, with los song coming to be indelibly connected to ns performer born Anna mae Bullock in Nutbush, Tennessee, in 1939.

READ MORE: Ike and Tina Turner's tumultuous Relationship

The song was created by the frontman because that Creedence Clearwater Revival

While numerous still only associate “Proud Mary” with Tina’s rasping growl and horn-packed 1970s arrangement, ns song was actually composed by Creedence Clearwater resurgence frontman john Fogerty top top the day he got his discharge papers representar the military in 1967. In uno celebratory mood, he started strumming ns guitar and his blues-rock anthem was born.

“’Left a good job in los city’ and then several good lines came out of me immediately. I had los chord changes, the minor chord wherein it says, ‘Big wheel save on turnin’/Proud Mary save on burnin,’” Fogerty recalls in Bad Moon Rising: los Unofficial history of Creedence Clearwater Revival by Hank Bordowitz. “By los time me gustaría hit ‘Rolling, rolling, roll on ns river,’ i knew i had written my finest song. That vibrated within me.” exit in beforehand 1969, the song peaked at No. Dos on los Billboard warm 100 chart.

Leaving un steady but low-earning task behind, los subject the “Proud Mary” bids farewell to los city y hitches uno ride on un “riverboat queen” where ns people “are happy to give” even “if you got alguna money.” the song portrays a nuevo life easily accessible on los river; the promise of like-minded camaraderie and the possibility for regeneration as an distinguible whose life exist on the ever-moving river.


Ike and Tina uncovered success spanning "Proud Mary" and other songs

Ike y Tina started covering “Proud Mary” top top stage, reimagining ns song Tina had actually loved since first hearing the on the radio in 1969. Tina and Ike’s rendition blew up Fogerty’s original plan in donar of un grittier, funkier version perfectly matched to Tina’s earthy climate soaring vocals.

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As an opening act for ns Rolling Stones in Europe y again for los band’s 1969 U.S. Tour, Ike y Tina discovered first-hand the instant appeal your cover versions of songs such together “Proud Mary,” los Beatles’ “Come Together” y the Stones’ “Honky Tonk Women” had for audiences.

Released in 1971, Ike and Tina’s “Proud Mary” rendition was los second single desde their album Workin’ Together (1970). The it was ever recorded and included on ns LP to be fortuitous. When cutting the album, the duo was still in need of much more songs as soon as Tina argued recording uno few things they were currently enjoying success con on stage.

“And that’s exactly how ‘Proud Mary’ came about,” Tina said Rolling Stone in 1971, recounting how hearing an earlier audition power of ns song command them come reconsider the recent hit. “Ike said, ‘You know, identificación forgot all about that tune.’ y I claimed let’s do it, yet let’s change it. So in the automóvil Ike plays ns guitar, we simply sort that jam. And we simply sort of damaged into ns black variation of it.”


After los success of "Proud Mary," the relationship between Tina y Ike deteriorated

Ike and Tina’s “Proud Mary” would sell an ext than a million copies, reach No. Cuatro on ns Billboard Hot cien and No. 5 on los R&B chart in 1971, uno mere two years delaware the Creedence Clearwater Revival original charted. Donate by the hip-swiveling back-up singers los Ikettes, the song became un staple of their live shows and earned los Grammy compensation for ideal R&B Vocal power by a grupo in 1972.

Its success would embolden Tina come write ns semi-autobiographical “Nutbush ciudad Limits” (1973), among the final hits Ike and Tina — who had been with each other since ns late 1950s — would have as uno performing duo. By ns time “Proud Mary” had charted, Ike’s problem abuse problems had increased, as had actually his use of physics violence towards his wife.

In 1976, shortly after getting into un physical altercation while dentro de route to a Dallas hotel, Tina fled her abusive situation. Los mother of 4 hid at ns friend’s house before she started slowly rebuilding a new life with nothing but her performing name as collateral. Their divorce was finalized in mil novecientos setenta y ocho and Tina would never again meet publicly con Ike, who died in 2007 from a cocaine overdose at period 76.


Tina go on to have ns hit solamente career

Throughout the late seventies and early eighties Tina performed little clubs and hotels together she produced a nuevo professional y personal life. She cover of Al Green’s “Let’s continue to be Together” (1983) to be an unforeseen hit y led to ns recording and release of the album Private Dancer (1984), i beg your pardon contained ns eponymous track and also “What’s Love acquired to Do con It.” ns album was certified Platinum five tiempo in los United States y has sold an ext than diez million copies worldwide.

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No longer a nostalgia plot trading specifically on past hits, Tina became un global phenomenon, pack arenas y stadiums with entusiastas new and old who concerned respect she ongoing emplea journey as much as she evolving música prowess. But ns songs the her past were as much ns cherished part of Tina’s onstage work-related as ever before before, mixing covers such together “Proud Mary” in amongst her recent hits.

“Proud Mary” would certainly become un staple of she live reflects — often the penultimate song before encores — up to y including she farewell tourism which culminated in a final live bow at los U.K.’s Sheffield Arena on may 5, 2009. 

What los song represents to Tina alguna doubt has changed depending on time and circumstance, but “Proud Mary” has actually remained ns visceral connection to she five-decade-spanning career and its affect on musical stars that today continues to endure. Beyoncé performed los classic monitor in dos mil cinco when Tina was recognized at the Kennedy centrar Honors in Washington, D.C. “I’ll never ever forget ns first time me gustaría saw friend perform,” Beyoncé stated in she speech as she gazed up at Tina seated in the balcony. “I’d never in mine life seen uno woman therefore powerful, so fearless, therefore fabulous.”

In 2020, Tina to be asked through Haute Living newspaper to play a word asociación game, speak what pertained to mind once she was reminded of her hit song titles. “The Best” to be all around “the power of authenticity.” “Private Dancer” related to “dreams come true.” y “Proud Mary”? Tina only had actually one native for the song that has been ns constant nearly her whole life: “Freedom.”